Tuesday, 29 April 2014

Oldies and goldies

It came to my attention recently that although I have worked a long time as a photographer, I have very few of my own images hanging on my walls.

This prompted me to search through my archives and select a number of images to print at A4 size, frame and hang on the walls in my sitting room. Surprisingly I settled for landscapes. That's surprising to me because I don't really consider myself to be a landscape photographer.

Landscapes seem to be a very calming subject and I really like the look of them in their frames, which I purchased from a charity shop. I gave each image a two inch (5cm) light blue border in the frame which i think adds to the calming effect of the image

I also like a lot of shots that I took vertically so I'll be searching for a multi picture frame soon.

Here are the three images I chose. All were taken within 15 minutes of my home. There will be more later.

Thanks for reading.

Monday, 21 April 2014

Tilt and shift

About a year and a half ago, I purchased a Canon TS-E 24mm f3.5 lens. A so called tilt and shift lens.

I bought it (second hand and in excellent condition) because I'd been shooting previously with a Sinar and a Rollei SL66 in the studio, which both have T&S capabilities and I wanted to be able to replicate the effect with my DSLR without resorting to computer trickery  .

  Sinar in the studio with the movements showing

Unfortunately my use of the lens was confined to testing it quickly in a car park when I met the guy who was selling it. We both lived far away from each other and agreed on a point midway where I could quickly test the lens before handing over the money.   

My method for testing a lens is this. 

  • I give the lens a visual inspection. I look for dust, dirt scratches etc on the lens. There were none.
  • Then I attached it to my camera and made a series of shots of the same subject in unchanging light using aperture priority. I shot at every aperture from f3.5 (wide open) to f22 (fully stopped down). I then scroll through the previews pictures on the screen. They should all be uniformly exposed. If one isn't then there is the chance that the aperture blades are not functioning properly. 
  • Next test is the shoot at different distances and check (with the help of the screen again) if the pics are sharp.
  • The last test is only done if the lens is an autofocus type (this particular lens is manual focus). I shoot a series of images of the seller walking towards me to try out the servo focussing. It also gives me a pic of the seller, should there be any "difficulties" later  :)
The lens passed all the tests and I gladly handed the money over. When i got home I put the lens in my equipment drawer and promised to use it on my next job . . 

Fast forward eighteen months later and I was wondering what to take pictures of on my free Sunday. I remembered the lens which was still sitting unused in my drawer. 

There's a beautiful mustard rape field about six minutes away from my house which is backed by part of the Jura mountain range. I decided to take a pic of this using the lens to get only the trees in focus.

I set the camera up on my trusty Benbo tripod and made sure that everything was level

This is NOT level

 The lens can also be rotated to use in vertical format 
 whilst still able to make use of all the movements.

After making a few test shots, I tilted the camera upwards and the lens downwards to give me the minimum amount of depth of field and I focussed using the live view mode to ensure that the trees were sharp. I ten took the picture (using self timer) at the minimum aperture.

Mustard rape. 1/3200sec @ f3.5 ISO 200
This pic is best viewed at full screen

I processed the RAW file in DPP and can honestly say that I'm pleased with the result. Unfortunately, there were no profiles for this particular lens so I used on instead for the 24mm f1.8 model.

I love playing with this particular piece of kit as it makes me stop and think about what I'm tying to achieve. Focus is manual and very precise. The live screen mode is recommended to be able to see what is happening. A good tripod is a must.

One person approached me whilst I was taking these images and informed me that the latest version of the lens is much better. I answered that just because Canon had replaced it didn't mean that it had suddenly gotten worse overnight!

There's a wonderful article by Keith Cooper over on the Northlight Images website about what exactly you can achieve with a T&S lens 

I'll be using it next month for an interior shoot that I have planned.

Thanks for reading.